Mount Eerie shares ‘Ravens’ video

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Mount Eerie, songwriter Phil Elverum, has shared a video for “Ravens,” the second single from the upcoming album ‘A Crow Looked At Me,’ written and recorded in the wake of the death of Elverum’’s wife Geneviève Castrée. The video was directed by Elverum and created using footage shot by himself and Castrée in the months and years before her death, reflecting the intimate, candid nature of the music. Watch it below via YouTube.

Previously, Elverum shared “Real Death,” the lead track from ‘A Crow Looked At Me’ and an unvarnished expression of stark domestic grief.

Mount Eerie has announced a string of West Coast tour dates this spring, including appearances at When We Were Young Fest and FORM Arcosanti. A full list of dates is below.

Mount Eerie tour dates

April 4 – Eugene, OR – WOW Hall

April 6 – Big Sur, CA – Henry Miller Library

April 9 – Santa Ana, CA – Observatory (When We Were Young Fest)

April 10 – San Diego, CA – Irenic

April 11 – Los Angeles, CA – The Masonic Lodge at Hollywood Forever

April 14 – Oakland, CA – Starline Social Club

April 17 – Portland, OR – Mississippi Studios

April 18 – Olympia, WA – Obsidian

May 12 – 14 – Arcosanti, AZ (FORM)

In high school in Anacortes Washington in 1996, Phil Elverum started calling his tapes of self-recorded noise and songs “The Microphones”.  Since then, he’’s produced two decades worth of records that span a wide spectrum from studio heavy atmospheric landscaping to simple raw songs.

The Microphones project was nourished by and located within the community of artists around K Records in Olympia in the late 90s/early 2000s, and Phil Elverum’’s musical ideas were clearly the product of the flood of independent music in the NW during those years.

After five albums, the project was renamed Mount Eerie just as the Microphones were getting some unexpected attention from the widespread acclaim of “the Glow pt. 2” (2001).  The Mount Eerie recordings got weirder and broader, and Elverum left K Records and began releasing everything himself, ultimately building a self-contained small town operation in Anacortes called P.W. Elverum & Sun.  Radical self-sufficiency has been a theme and obsession;  all all ages shows and never though a manager or booking agent, always self-recorded, hands on in all details.

Mount Eerie’’s albums have always aimed to push into new territory, both in sound and idea, but the thread of Elverum’s voice has remained constant throughout, soft and human amid the wide range of textures and worlds.  Often the lyrics have attempted to grapple with big questions, the briefness and the smallness of human life being a running theme.  On occasion the music has been called “black metal” (Wind’s Poem, 2009), “dream landscape” (Clear Moon, 2012), and “raw and direct” (Lost Wisdom, 2008).

The new album, “’A Crow Looked At Me”,’ sounds closer to the latter; minimal instrumentation, no production, clear and heavy words right up front.  The difference here is the subject matter.  In 2015 Elverum’’s wife, the French Canadian cartoonist and musician Geneviève Castrée, was diagnosed with a bad cancer just after giving birth to their first child.  She died a year later.  Elverum wrote and recored the album throughout the fall of 2016 in the same room where Geneviève died, using mostly her instruments; her guitar, her bass, her pick, her amp, her old family accordion, writing the words on her paper.

The songs are about the brutal details of that experience, from the hospitalizations to the grieving, the specific domestic banalities that become existential in the context of such huge and abrupt loss.  These songs are not fun.  They are pretty and they are deep, and they find a love that prevails beneath the overwhelming andreal sorrow.  It is unlike anything else in the Mount Eerie catalog in its unvarnished expressions of personal grief, metaphor-free.

The writing draws inspiration from Karl Ove Knausgaard, Julie Doiron, Gary Snyder, Sun Kil Moon, and Joanne Kyger (whose poem “Night Palace” is on the album’s cover).  The sound was influenced by the spare production of the 1996 Will Oldham album ‘“Arise Therefore’”.

A Crow Looked At Me Cover Mount Eerie
Mount Eerie – A Crow Looked At Me

(Out March 24th 2017 – P.W. Elverum & Sun)

Real Death
Forest Fire
My Chasm
When I Take Out The Garbage At Night
Emptiness pt. 2
Soria Moria

Pre-order ‘A Crow Looked At Me’ here: