{"id":38206,"date":"2022-08-01T12:15:00","date_gmt":"2022-08-01T16:15:00","guid":{"rendered":"http:\/\/cultureaddicts.com\/?p=38206"},"modified":"2022-07-27T11:56:10","modified_gmt":"2022-07-27T15:56:10","slug":"regressive-left-share-video-for-world-on-fire","status":"publish","type":"post","link":"http:\/\/cultureaddicts.com\/?p=38206","title":{"rendered":"Regressive Left share video for &#8216;World On Fire&#8217;"},"content":{"rendered":"\n<p>Luton&#8217;s Regressive Left just released their much-anticipated debut EP &#8216;On The Wrong Side Of History,&#8217; featuring four tracks of infectious, acerbic dance-punk recorded earlier this year in Sheffield with producer and musician Ross Orton (Amyl &amp; The Sniffers, MIA, Add N To (X)).<\/p>\n\n\n\n<p>The EP, out now via London tastemakers Bad Vibrations, has seen significant press and radio support for its singles from the likes of The Sunday Times, NME, DIY, Dork, So Young, Loud &amp; Quiet, CLASH, Brooklyn Vegan, WAX, Under The Radar, Gigwise, BBC 6 Music and more. You can buy the &#8216;On The Wrong Side Of History&#8217; EP\u00a0<a href=\"https:\/\/urldefense.proofpoint.com\/v2\/url?u=https-3A__prescriptionpr.cmail20.com_t_j-2Dl-2Dvyuuilk-2Dejlihlkhu-2Dt_&amp;d=DwMFaQ&amp;c=euGZstcaTDllvimEN8b7jXrwqOf-v5A_CdpgnVfiiMM&amp;r=5CE4o-Vd_RlrEfgWHzSiLOD6STn683uk8seONybkJZ0&amp;m=B9RjJCEsaM8k9i4XRS1PuOcANNT_28xoZS0iYT74up8&amp;s=6ZVO6_GGxY4eoGcfOj3pTCSQ6aCgjsGra9IMbcMKOTA&amp;e=\">here<\/a>.<\/p>\n\n\n\n<p>In celebration of the release, the band have shared a final video from the record, with an EP highlight in <em>The World On Fire<\/em> set to animated visuals by Dante Traynor. The band&#8217;s own Simon Tyrie had the following to say about the themes behind <em>The World On Fire<\/em>. &#8220;<em>I don\u2019t know if we\u2019ll ever write a song that\u2019s as obvious as this. It does what it says on the tin. We\u2019re burning the world for the sake of investment portfolios, and hoping that so-called green stocks can save us, when the problem is the system itself.&#8221;\u00a0<\/em><\/p>\n\n\n\n<p>Watch the video clip for <em>World On Fire<\/em> via YouTube below and watch the lyric video for <em>The Wrong Side Of History<\/em>\u00a0<a href=\"https:\/\/urldefense.proofpoint.com\/v2\/url?u=https-3A__prescriptionpr.cmail20.com_t_j-2Dl-2Dvyuuilk-2Dejlihlkhu-2Dd_&amp;d=DwMFaQ&amp;c=euGZstcaTDllvimEN8b7jXrwqOf-v5A_CdpgnVfiiMM&amp;r=5CE4o-Vd_RlrEfgWHzSiLOD6STn683uk8seONybkJZ0&amp;m=B9RjJCEsaM8k9i4XRS1PuOcANNT_28xoZS0iYT74up8&amp;s=l0TDEkYpSs3ujSdSa-N01cLsOyOndH4mP3PaYSGr06Q&amp;e=\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/4_QK8IxhZRg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-CA&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p><strong> <\/strong>As well as the new studio material, recent festival shows at the likes of Wide Awake, Great Escape and Best Kept Secret have seen sizeable numbers turning up for the band as word continues to spread on the strength of their live shows.<\/p>\n\n\n\n<p>Earlier in the year, the three-piece also toured in support of their friends BODEGA and Folly Group, and September will see their first ever headlining dates in support of the EP.<\/p>\n\n\n\n<p><strong>Catch Regressive Left live at:<\/strong><\/p>\n\n\n\n<p><strong>SEP<\/strong><\/p>\n\n\n\n<p>26 Birmingham &#8211; Hare &amp; Hounds<br>28 Glasgow &#8211; Hug &amp; Pint<br>30 Manchester &#8211; YES<\/p>\n\n\n\n<p><strong>OCT<\/strong><\/p>\n\n\n\n<p>2 Bedford &#8211; Esquires<br>4 Brighton &#8211; Prince Albert<br>6 Margate &#8211; Elsewhere<br>20 London &#8211; The Lexington<\/p>\n\n\n\n<p><strong>More information on Regressive Left<\/strong><\/p>\n\n\n\n<p>In dark, troubling times, maybe the most instantly gratifying solace one can seek is a wittily barbed diagnosis of the situation. <em>\u201cThe fox has his den. The bee has his hive. The stoat \u2026 his stoat-hole,\u201d Stewart Lee once remarked: \u201cBut only man chooses to make his nest in an investment opportunity.\u201d<\/em><\/p>\n\n\n\n<p>Caustic retorts like this are what fuel the debut EP by dance-punk outfit Regressive Left, \u2018On The Wrong Side of History\u2019. For pervading through their dynamic and glitching music is a duty to report unflinchingly society\u2019s ills. They are a staunchly political group, but far from your average po-faced by-numbers punk band. There is a gristly social commentary at the band\u2019s core, but the songs themselves are characterised by a need to have fun, to find some kind of solace and escapism from the inevitable rapture.<\/p>\n\n\n\n<p>Hailing from the ex-industrial town of Luton, Simon Tyrie (vocals, electronics), Georgia Hardy (drums, backing vocals) and Will Crosby (guitars, backing vocals) make up Regressive Left. Having spent their teenage years playing in unsuccessful indie bands, sometimes together, the trio used their first-lockdown boom of creativity to try their hands at something new. November 2020 saw the release of their wobbly electro-punk debut single <em>Eternal Returns<\/em>, which was swiftly tailed by acclaimed follow-ups \u2018Take the Hit\u2019 and \u2018Cream Militia\u2019, tours with the likes of Bodega and Folly Group, festival appearances at End of the Road, Latitude and Wide Awake, and a sold out headline at The Windmill.<\/p>\n\n\n\n<p>Recorded over an intense five-day spell with in-demand producer Ross Orton (Arctic Monkeys, MIA, Amyl and The Sniffers) in Sheffield, Regressive Left\u2019s debut EP \u2018On The Wrong Side of History\u2019 was immortalised over a handful of 11am-1am sessions in his studio.\u00a0In many ways it is a time capsule of the maelstrom of ideas that got the group to this point in the first place \u2013 the infuriating, bleak political climate, and the urge to find escapism from it \u2013 consigned to vinyl in one herculean effort.<\/p>\n\n\n\n<p><em>&#8220;Before we started working with Ross, we spent two hours on a call with him putting the world to rights,\u201d<\/em> Tyrie says. <em>\u201cEven though he lives up the other end of the country, we felt we had more in common with him than any London producers that wanted to work with us. He understood the project and what we were about, and that was really important to us.\u201d<\/em><\/p>\n\n\n\n<p>Taking influence from the booming post-punk, funk and disco scenes of New York, Regressive Left\u2019s sound is stark and danceable. Angular guitar scratches meet dirty synth basslines, whilst Simon Tyrie\u2019s Edwyn Collins croon is chased around by effervescent drums.<\/p>\n\n\n\n<p>The EP\u2019s title track (\u2018The Wrong Side of History\u2019) is a sprawling, club-ready number, driven by chromatic earworm motifs on a bright analogue synth. Here, Regressive Left revel in repetition, each bar introducing a new glitching layer to the composition, whilst Tyrie&#8217;s sardonic vocals become increasingly frenzied. <em>\u201cI started writing it years ago,\u201d<\/em> says the frontman: <em>\u201cIt was more of a basic spoken word piece from a place of anger and bitterness. Over time it became more and more silly, until it became something to dance to. But on a more granular level, it\u2019s about western imperialism, greed, capital, fear of the other\u2026 and what it means to be \u2018on the wrong side of history\u2019\u201d<\/em>.<\/p>\n\n\n\n<p>\u2018World on Fire\u2019 sees a live favourite committed to record with infernal aplomb. Frenetic drums and breathy vocal harmonies from Georgia Hardy propel the track in all sorts of directions, whilst Crosby\u2019s guitar playing alternates between astral reverb-laden soloing and choppy Talking Heads fare.<\/p>\n\n\n\n<p>Amidst the catharsis, Tyrie\u2019s vocals are a glib stream of consciousness; <em>\u201cthe world for a trust fund\u201d<\/em>, he yelps throughout. Speaking about the track, the frontman says: <em>\u201cWe\u2019re burning the world for the sake of investment portfolios. Meanwhile we\u2019re hoping that so-called green stocks can save us, when the problem is the system itself.\u201d<\/em><\/p>\n\n\n\n<p>\u2018Bad Faith\u2019 is an LCD-style dance-punk cracker that sears along at breakneck pace, synthesised bells in tow. Valentine Caulfield from the Manchester experimental combo Mandy, Indiana makes a guest appearance, quoting French psychoanalyst Octave Mannoni&#8217;s paradoxical mechanism: <em>\u201cJe sais bien, mais quand m\u00eame.\u201d<\/em> In other words: <em>\u201cI know very well, but even so\u2026\u201d<\/em> The lyrics are acerbic, a comment on a counterproductive political media climate overly concerned with bad faith arguments. <em>\u201cThis song essentially focuses on the idea of deliberately assuming the worst of someone or something they\u2019ve said or done\u201d,<\/em> remarks Tyrie: <em>\u201cSocial media has really amplified this trend: everyone has to have a take. So we read between the lines and make wild accusations on the faintest of evidence. It\u2019s something of an art, but one that I think is ultimately detrimental to society.\u201d<\/em><\/p>\n\n\n\n<p>Meanwhile <em>No More Fun<\/em> is a flashy closer mixing a litany of fizzing electronic textures with a lightning drum performance \u2013 sounding somewhere between Suicide and The Rapture, a wild-eyed post-internet CAN.<\/p>\n\n\n\n<p><em>\u201cThis song was originally called \u2018Tuna In A Cash Bag,\u2019\u201d<\/em> Tyrie says. <em>\u201cIt was around the time of the free school meals debacle, and someone posted a picture of some tuna scraped into a plastic coin bag to show how meagre and depressing the \u201cfree school meals\u201d were for the kids that needed them. I saw someone reply to the tweet saying \u2018Tuna In A Cash Bag\u2019 sounded like a song John Peel would play, so obviously we had to write it.\u201d<\/em><\/p>\n\n\n\n<p>This anecdote and <em>No More Fun<\/em> is Regressive Left \u2013 in all their glory and writhing contradictions \u2013 in microcosm. The banal horror of life in Tory Britain, expressed with sharp and dry wit and then set to truly barnstorming and infectious dance music. An apt soundtrack for the end times.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i2.cmail20.com\/ei\/j\/AE\/55B\/1E8\/182635\/csfinal\/COVER-9900000000079e3c.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p><strong>&#8216;On The Wrong Side Of History&#8217; EP track listing<br><\/strong>1. The Wrong Side of History<br>2. World On Fire<br>3.\u00a0Bad Faith (ft. Mandy, Indiana)\u00a0<br>4.\u00a0No More Fun<\/p>\n\n\n\n<p><strong>\u2018On The Wrong Side of History\u2019 is out now on Bad Vibrations Records<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Luton&#8217;s Regressive Left just released their much-anticipated debut EP &#8216;On The Wrong Side Of History,&#8217; featuring four tracks of infectious, acerbic dance-punk recorded earlier this <a class=\"mh-excerpt-more\" href=\"http:\/\/cultureaddicts.com\/?p=38206\" title=\"Regressive Left share video for &#8216;World On Fire&#8217;\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":38207,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[13,23,28,29,30,1907],"tags":[10816,1798],"class_list":["post-38206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-electronic-music","category-indie","category-music","category-music-video","category-new-release","category-news","tag-regressive-left","tag-world-on-fire"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2022\/07\/7C1A8073-9900000000079e3c.jpg?fit=900%2C600","jetpack_shortlink":"https:\/\/wp.me\/p2B2TV-9We","jetpack-related-posts":[{"id":24771,"url":"http:\/\/cultureaddicts.com\/?p=24771","url_meta":{"origin":38206,"position":0},"title":"Perhapsy releases new single &#8216;O, Su Yung&#8217;","author":"cultureaddicts","date":"March 19, 2017","format":false,"excerpt":"Perhapsy has released\u00a0their\u00a0new single, O, Su Yung, which is lifted from their\u00a0latest EP 'The'. Take a listen via Soundcloud below. Perhapsy is the solo project of musician Derek Barber, guitarist and songwriter of Astronauts, etc., Bells Atlas, and Madeline Kenney. Active since his college years as a Jazz Studies major\u2026","rel":"","context":"In &quot;indie&quot;","block_context":{"text":"indie","link":"http:\/\/cultureaddicts.com\/?cat=23"},"img":{"alt_text":"Perhapsy","src":"https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2017\/03\/2af4480c-830a-41df-837a-6218349104ae.jpg?fit=1024%2C682&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2017\/03\/2af4480c-830a-41df-837a-6218349104ae.jpg?fit=1024%2C682&resize=350%2C200 1x, https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2017\/03\/2af4480c-830a-41df-837a-6218349104ae.jpg?fit=1024%2C682&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2017\/03\/2af4480c-830a-41df-837a-6218349104ae.jpg?fit=1024%2C682&resize=700%2C400 2x"},"classes":[]},{"id":11380,"url":"http:\/\/cultureaddicts.com\/?p=11380","url_meta":{"origin":38206,"position":1},"title":"Bratmobile reissue debut on vinyl","author":"cultureaddicts","date":"October 29, 2014","format":false,"excerpt":"Bratmobile's debut 'Pottymouth' is available on pink marble vinyl for the first time in over 10 years (and includes a digital download code) on November 18, 2014. Bratmobile made their debut at 1991's International Pop Underground convention and quickly took the Riot Grrrl underground by storm. The band released their\u2026","rel":"","context":"In &quot;music&quot;","block_context":{"text":"music","link":"http:\/\/cultureaddicts.com\/?cat=28"},"img":{"alt_text":"bratmobile pottymouth lp","src":"https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2014\/10\/bratmobile_pottymouth_lp.jpg?fit=600%2C400&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2014\/10\/bratmobile_pottymouth_lp.jpg?fit=600%2C400&resize=350%2C200 1x, https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2014\/10\/bratmobile_pottymouth_lp.jpg?fit=600%2C400&resize=525%2C300 1.5x"},"classes":[]},{"id":40086,"url":"http:\/\/cultureaddicts.com\/?p=40086","url_meta":{"origin":38206,"position":2},"title":"Wild Pink share surprise EP via Fire Talk","author":"cultureaddicts","date":"April 7, 2024","format":false,"excerpt":"Wild Pink\u00a0just announced their signing to\u00a0Fire Talk Records\u00a0(Bnny, PACKS, Mandy, Indiana), and shared their first single for the label, a track entitled Air Drumming Fix You. Their first new music since their acclaimed 2022 LP\u00a0\u2018ILYSM,\u2019 a critical high point for the John Ross-led project, the single saw a deluge of\u2026","rel":"","context":"In &quot;guitar rock&quot;","block_context":{"text":"guitar rock","link":"http:\/\/cultureaddicts.com\/?cat=22"},"img":{"alt_text":"Wild Oink press photo","src":"https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2024\/03\/4BA72B4C-0D6F-4B70-8FC3-50BC12ECAFD6-e1711883660179.jpeg?fit=1200%2C724&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2024\/03\/4BA72B4C-0D6F-4B70-8FC3-50BC12ECAFD6-e1711883660179.jpeg?fit=1200%2C724&resize=350%2C200 1x, https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2024\/03\/4BA72B4C-0D6F-4B70-8FC3-50BC12ECAFD6-e1711883660179.jpeg?fit=1200%2C724&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2024\/03\/4BA72B4C-0D6F-4B70-8FC3-50BC12ECAFD6-e1711883660179.jpeg?fit=1200%2C724&resize=700%2C400 2x, https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2024\/03\/4BA72B4C-0D6F-4B70-8FC3-50BC12ECAFD6-e1711883660179.jpeg?fit=1200%2C724&resize=1050%2C600 3x"},"classes":[]},{"id":42987,"url":"http:\/\/cultureaddicts.com\/?p=42987","url_meta":{"origin":38206,"position":3},"title":"Kassie Krut drop \u2018Reckless &#8211; COIDO Remix\u2019","author":"cultureaddicts","date":"June 13, 2025","format":false,"excerpt":"If you've somehow missed Kassie Krut\u2019s chaotic pop anthem Reckless this year, consider this your official wake-up call. The song has been lighting up year-end lists from\u00a0Pitchfork, NPR Music,\u00a0The Guardian,\u00a0So Young, and basically every outlet with ears \u2014 and now, it\u2019s getting a new, even more electrified life. Enter:\u00a0Reckless -\u2026","rel":"","context":"In &quot;electronic music&quot;","block_context":{"text":"electronic music","link":"http:\/\/cultureaddicts.com\/?cat=13"},"img":{"alt_text":"Kassie Krut press photo","src":"https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2025\/06\/IMG_4787.jpeg?fit=1200%2C803&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2025\/06\/IMG_4787.jpeg?fit=1200%2C803&resize=350%2C200 1x, https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2025\/06\/IMG_4787.jpeg?fit=1200%2C803&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2025\/06\/IMG_4787.jpeg?fit=1200%2C803&resize=700%2C400 2x, https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2025\/06\/IMG_4787.jpeg?fit=1200%2C803&resize=1050%2C600 3x"},"classes":[]},{"id":2514,"url":"http:\/\/cultureaddicts.com\/?p=2514","url_meta":{"origin":38206,"position":4},"title":"Helium Robots Release Debut Album + Free EP","author":"cultureaddicts","date":"April 5, 2012","format":false,"excerpt":"Helium Robots offer up a free EP and release their debut album Voltopia on May 28th via This Is Music. In addition to Voltopia, they will be also be releasing three singles with remixes - Bring Drinking (April 16), Lacrimosa (April 30) and Silver (May 14). Download the free EP\u2026","rel":"","context":"In &quot;electronic music&quot;","block_context":{"text":"electronic music","link":"http:\/\/cultureaddicts.com\/?cat=13"},"img":{"alt_text":"","src":"http:\/\/cultureaddicts.files.wordpress.com\/2012\/04\/helium-robots.jpg?w=350&h=200&crop=1","width":350,"height":200,"srcset":"http:\/\/cultureaddicts.files.wordpress.com\/2012\/04\/helium-robots.jpg?w=350&h=200&crop=1 1x, http:\/\/cultureaddicts.files.wordpress.com\/2012\/04\/helium-robots.jpg?w=525&h=300&crop=1 1.5x"},"classes":[]},{"id":34029,"url":"http:\/\/cultureaddicts.com\/?p=34029","url_meta":{"origin":38206,"position":5},"title":"FVLCRVM releases bass-infused EP &#8216;Words, Loose, Meaning&#8217;","author":"cultureaddicts","date":"April 16, 2020","format":false,"excerpt":"Rising Slovakian electronic producer, musician and DJ, FVLCRVM, offers thought provoking, electronically charged soundscapes on his new EP, 'Words, Loose, Meaning' is out now via MOM I MADE IT an imprint of Universal Music. A multi-instrumentalist, having been brought up on a steady diet of gospel and soul as evident\u2026","rel":"","context":"In &quot;electronic music&quot;","block_context":{"text":"electronic music","link":"http:\/\/cultureaddicts.com\/?cat=13"},"img":{"alt_text":"FVLCRVM press photo","src":"https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2020\/04\/6BF14594-9EF0-4377-B310-CBE7F0AA9F36-e1586690784322.jpeg?fit=480%2C400&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/cultureaddicts.com\/index.php?rest_route=\/wp\/v2\/posts\/38206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/cultureaddicts.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cultureaddicts.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cultureaddicts.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cultureaddicts.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38206"}],"version-history":[{"count":1,"href":"http:\/\/cultureaddicts.com\/index.php?rest_route=\/wp\/v2\/posts\/38206\/revisions"}],"predecessor-version":[{"id":38208,"href":"http:\/\/cultureaddicts.com\/index.php?rest_route=\/wp\/v2\/posts\/38206\/revisions\/38208"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/cultureaddicts.com\/index.php?rest_route=\/wp\/v2\/media\/38207"}],"wp:attachment":[{"href":"http:\/\/cultureaddicts.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cultureaddicts.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=38206"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cultureaddicts.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=38206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}