Founded in Athens, Georgia by twin brothers Reid and Blaze Bateh, and bassist William Brookshire, Bambara are now based in Brooklyn, NYC. The band released their most celebrated album to date in 2018 with ‘Shadow On Everything’. Now, Bambara have announced their follow up ‘Stray’ (which is due out via Wharf Cat on February 14th, 2020 – pre-order here). Along with the album announcement, they have shared the album’s first single Serafina. Watch the watch the lyric video for the track via YouTube below.
A thunderous squall of a song, Serafina provides an arresting introduction to the album. Channeling the anarchic energy of The Birthday Party and The Gun Club, in combination with Reid Blateh’s dramatic lyrical style the track imbues the story of a pair suburban misfits with apocalyptic weight. Bambara’s rhythm section rattles and bursts behind a frantic descending guitar lead as Reid, in a fraying baritone, weaves a tale set in his home state of Georgia that acknowledges the history of the place with subtle Civil War allusions, while conjuring an immediate atmosphere of backwoods unease. As Reid explained, it’s a song built to communicate an unhinged energy.
“Stray is a death-obsessed album,” says Reid. “Most of the songs are about different characters’ futile attempts at living meaningful lives under the weight of imminent annihilation. I wanted “Serafina” to feel different. I wanted the song to radiate a sort of wild-eyed hope. A youthful disregard for death itself. Serafina and Sadie live exactly how they want to live, exploring their love for one another before a backdrop of flames. The knowledge of their own mortality takes nothing from their enthusiasm for life. If anything, they see it as a challenge they might one day overcome together. When they say, “We’ll never die” I want it to feel like they might actually have a shot.”
One thing you won’t be able to avoid on Bambara’s ‘Stray’ is death. It’s everywhere and inescapable, abstract and personified. Death, however, won’t be the first thing that strikes you about the group’s fourth album. That instead will be its pulverising soundscape; by turns, vast, atmospheric, cool, broiling and at times – as on stand out tracks like “Sing Me To The Street” and “Serafina” – simply overwhelming
The album began when the band locked themselves in their windowless Brooklyn basement to write. Despite the success of their preceding full length, ‘Shadow On Everything,’ Decisions were made early on to experiment with new instrumentation and song structures, even if the resulting compositions would force the band to adapt their storied live set, known for its tenacity and technical prowess. Throughout the songwriting process, the band pulled from their deep well of creative references, drawing on the likes of Leonard Cohen, Ennio Morricone, Sade, classic French noir L’Ascenseur Pour L’Echafraud, as well as Southern Gothic stalwarts Flannery O’Connor and Harry Crews.
Once the building blocks were set in place, they met with producer Drew Vandenberg, who mixed ‘Shadow On Everything,’ in Athens, GA to record the foundation of ‘Stray’. After recruiting friends Adam Markiewicz (The Dreebs) on violin, Sean Smith (Klavenauts) on trumpet and a crucial blend of backing vocals by Drew Citron (Public Practice) and Anina Ivry-Block (Palberta) Bambara convened in a remote cabin in rural Georgia, where Reid laid down his vocals.
The finished product represents both the band’s most experimental and accessible work to date. The addition of Citron and Ivory-Block’s vocals create a hauntingly beautiful contrast to Bateh’s commanding baritone on tracks like Sing Me to the Street, Death Croons and Stay Cruel, while the Dick Dale inspired guitar riffs on Serafina and Heat Lightning and the call-and-response choruses throughout the album showcase Bambara’s ability to write songs that immediately demand repeat listens.
While the music itself is evocative and propulsive, a fever dream all of its own, the lyrical content pushes the record even further into its own darkly thrilling realm. If the songs on ‘Shadow On Everything’ were like chapters in a novel, then this time they’re short stories. Short stories connected by death and its effect on the characters in contact with it.
But it would be wrong to characterize ‘Stray’ as simply the sound of the graveyard. Light frequently streams through and, whether refracted through the love and longing found on songs like Made for Me or the fantastical nihilism on display in tracks like the anthemic Serafina, reveals this album to be the monumental step forward that it is. Here Bambara sound like they’ve locked into what they were always destined to achieve, and the effect is nothing short of electrifying.
‘Stray’ will be released via Wharf Cat Records on February 14th, 2020. It’s available for pre-order here.
2. Heat Lightning
3. Sing Me To The Street
5. Death Croons
6. Stay Cruel
7. Ben & Lily
8. Made For Me
Bambara are embarking on a UK tour that begins in Bristol at the Simple Things Festival on October 19th. Additionally, they announced a Brooklyn show at St. Vitus on November 8th and a full US tour in support of the album to take place in 2020. Full details can be found below.
10/19/2019 – Simple Things Fest – Bristol, UK
10/20/2019 – SWN Fest – Cardiff, UK
10/22/2019 – Soup Kitchen – Manchester, UK
10/23/2019 – Hyde Park Book Club – Leeds, UK
10/25/2019 – Record Junkie – Sheffield, UK
10/26/2019 – The Poetry Club – Glasgow, UK
10/28/2019 – Green Door Store – Brighton, UK
10/29/2019 – Sebright Arms – London, UK
11/8/2019 – St. Vitus – Brooklyn, NY
2/19/2020 – Union Stage – Washington, DC
2/20/2020 – Boot & Saddle – Philadelphia, PA
2/22/2020 – Great Scott – Boston, MA
2/24/2020 – Bar Le Ritz – Montreal, QC
2/25/2020 – The Garrison – Toronto, ON
2/26/2020 – Beachland Tavern – Cleveland, OH
2/27/2020 – PJ’s Lager House – Detroit, MI
2/28/2020 – Sleeping Village – Chicago, IL
2/29/2020 – 7th Street Entry – Minneapolis, MN
3/3/2020 – The Sunset – Seattle, WA
3/4/2020 – Fox Cabaret – Vancouver, BC
3/5/2020 – Doug Fir Lounge – Portland, OR
3/6/2020 – Cafe Du Nord – San Francisco, CA
3/7/2020 – The Echo – Los Angeles, CA
3/9/2020 – The Rebel Lounge – Phoenix, AZ
3/10/2020 – Lowbrow Palace – El Paso, TX
3/11/2020 – Barracuda – Austin, TX
3/12/2020 – Ruins – Dallas, TX
3/13/2020 – Hi Tone (Small Room) – Memphis, TN
3/14/2020 – The High Watt – Nashville, TN
3/15/2020 – The Earl – Atlanta, GA
3/17/2020 – Cat’s Cradle Back Room – Carrboro, NC