The Sweet Kill have just released their sophomore LP ‘NOWHERE’ with their latest video-single Forbidden via Young & Cold Records (Germany) as well as Shadow Zone Records (USA). The Sweet Kill is a one-man post-punk project which focuses on the more dark and gothic side of the genre. Perpetually recording and producing at his own studio SHADOW ZONE SOUND in Los Angeles, Pete Mills wrote The Sweet Kill’s sonic cinematic debut ‘Darkness’ with the intent to inspire those lost in the shadows of life. The velvety crooning baritone Mills conducts a darkwave masterpiece of romantic sorrow echoing the laments of The Cure and Joy Division. The Sweet Kill sum up the background to the new album in their bio. “NOWHERE contains sonic cinematic soundscapes of cold wave synths, post-punk drums, atmospheric guitar and melodic bass. This album questions the final analysis of the souls’ journey between two worlds, are we eternally floating in the ether or are we never lost and always found? Grief is love with nowhere to go. Lives are lived and lost and some souls return to explore another round as others trudge eternally haunting our world forever in the nowhere.”
The eerie video for Forbidden, directed by Ellen Hawk, delves into this mystery realm with gusto, taking us on a strange sojourn into the moonlight. The haunting voice of Pete Mills serves as a guiding light through this shadowy adventure, cutting through the darkness with the intensity and warmth of a candle’s flame. His earnest croon adds a layer of depth and sincerity. Pete Mills delves into the depths of the human psyche, using an arsenal of cold synths, atmospheric guitar, and a melodic bass to sculpt an anthemic hook with bleeding-heart emotions. The protagonists, outcasts by nature, grapple with their desires in the shadows. Amidst secrets and whispers, their passion is intense yet prohibited, leading them to a paradise where they are exiled, consumed by a love both dark and irresistible. Watch the video for Forbidden via YouTube below.
With the latest full-length endeavor from The Sweet Kill, Mills exclaims “NOWHERE is a mesmerizing journey through the human psyche, inviting listeners to confront their deepest fears and desires.” Whether it’s the seductive world of vampires in the song Queen, fearlessly facing inner demons in Evil, experiencing the desperation of night terrors and subconscious suppression in the song Creeper, or a tribute to Mills’ lost bandmates in Nowhere, Alive, Divide, and Goodbye, The Sweet Kill once again proves their mastery of the dark and enigmatic through poignant lyrics and haunting melodies. You can hear elements of The Cure and Bauhaus reverberate through Mills’ taut, brooding vocal performances, while the pounding bass lines and brisk percussion are reminiscent of artists like The Killers or Franz Ferdinand. The personal lyrics and accessible melody and production fall somewhere between Editors and Fontaines D.C., lending the songs an openness that will appeal to fans of pop and rock, not just post-punk.
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