{"id":28441,"date":"2018-03-03T12:30:17","date_gmt":"2018-03-03T17:30:17","guid":{"rendered":"http:\/\/cultureaddicts.com\/?p=28441"},"modified":"2019-06-02T19:03:18","modified_gmt":"2019-06-02T23:03:18","slug":"gomez-announce-20th-anniversary-edition-debut-album-bring","status":"publish","type":"post","link":"https:\/\/cultureaddicts.com\/?p=28441","title":{"rendered":"GOMEZ announce ‘Bring It On’ 20th anniversary edition"},"content":{"rendered":"
\n

\u201cNo other record captures that period so perfectly,\u201d<\/em> says Elbow\u2019s Guy Garvey. \u201cThe concerns of the songs. The stories, the experimental sounds. It was so brave for a band to record themselves at that time: it allowed a direct and undiluted account of the band as aspirational, big-hearted friends in love with making music and each other. It dared us to record ourselves. But they did it first. It\u2019s the most deserving recipient of the Mercury Prize in its history: a breathlessly ambitious and lovingly crafted masterpiece. It should be called Bring It ‘The Fuck’ On.\u201d<\/em><\/p>\n

To commemorate the 20th anniversary of Gomez\u2019s Mercury Music Prize winning debut album, ‘Bring It On’ will be re-mastered and reissued (20.04.18) as a super-deluxe 4 CD with an accompanying remastered double LP release. The 4 CD 20th Anniversary edition of ‘Bring It On’ contains the original, classic album remastered by Frank Arkwright @ Abbey Road studios and 35 previously unreleased tracks including 25 demos (recorded between January 1996 and August 1997) – 13 of which are appearing on an official Gomez release for the first time.<\/p>\n

Twenty years on, the debut album by Gomez sounds not of its time, but ahead of its time. You can hear its echoes in so much of the music that followed it: not just in Elbow, but in any artist who heard ‘Bring it On’ and realised the possibilities of combining indie and roots music with lo-fidelity electronics: a modern experimental sensibility with a love of the past. ‘Bring It On’ was an album that synthesised styles in a way that seemed remarkable then, and now sounds utterly unforced and contemporary. Where so many of its contemporaries sound completely of their time, ‘Bring It On’ sounds as if it could have come out to equal acclaim at any point over the past 20 years. It\u2019s a record that thoroughly merits its expanded 20th anniversary edition.<\/p>\n

‘Bring it On’ sounds as if it’s been made by kids who\u2019ve been exploring the outer expanses of Spotify, scouring it for unlikely sources, rather than four lads in a Southport garage, and the fella they met at university. Though, in a way, ‘Bring It On’ is the pre-streaming version of that very process, bringing together all the five members\u2019 tastes, without ever allowing one style to dominate. You can hear their love of so much different music: Tom Waits, Tim Buckley, Prince, Talking Heads, Johnny Cash, Portishead, The Chemical Brothers, Led Zeppelin, Neil Young, jazz and folk and indie and the West Coast and classic rock. Between them, Ian Ball, Ben Ottewell, Tom Gray, Paul Blackburn and Olly Peacock created something that was far more than the sum of its parts.<\/p>\n

In 1998, of course, it sounded revolutionary. \u201cGomez came along at exactly the right moment,\u201d<\/em> says the DJ Steve Lamacq, who championed the band on his Radio 1 show. \u201cAfter Britpop had collapsed in on itself, there was a massive hole on the Evening Session, waiting to be filled. But what we found was, people reacting against the commerciality of the Britpop wave and heading off on all sorts of strange tangents. The audience was really receptive to sounds that maybe wouldn\u2019t have fitted in a few years earlier.\u201d<\/em><\/p>\n

Gomez hadn\u2019t even recorded with the intention of making an album, which is perhaps why it sounds so unforced. The basis of the album was seven tracks recorded on an ancient four-track recorder. The band\u2019s label, Hut, had to use the home recordings \u2013 for practical reasons. \u201cThey couldn\u2019t recreate those recordings because they\u2019d done them in one of their dad\u2019s garages on the four-track, and just after they\u2019d finished doing the last one the thing broke,\u201d<\/em> says Hut\u2019s David Boyd. \u201cSo we decided it needed a little bit of mixing and embellishment, but not a lot, and they trotted off to Liverpool to do the touch-ups, but to all intents and purposes that was ‘Bring It On’.\u201d<\/em><\/p>\n

In Liverpool, engineer Ken Nelson awaited them, and helped them turn those seven tracks into a whole album. \u201cThey\u2019d have an idea and would look to me to make it work,\u201d<\/em> Nelson says. \u201cTheir home-learned skills transferred well to the studio and I believe we learned so much from each other. I\u2019d never worked with a band who were so creative before: it was truly exciting for me.\u201d<\/em><\/p>\n

The spectacular results had an immediate impact and influence, Chris Martin admired Bring It On<\/em> so much that Coldplay hired Ken Nelson to produce their first album (he went on to produce three for them). Indeed, without some of Gomez\u2019s freewheeling influence, it’s much harder to imagine the British music scene making a comfortable home for the innovating likes of Alt-J, Everything Everything & Field Music, or across the pond where subsequent harmony bands blending indie, antifolk and art rock have thrived.<\/p>\n

‘Bring It On’ went on to win 1998\u2019s Mercury Music Prize, beating Pulp, Massive Attack, Cornershop and The Verve, the judges describing the album as “an intriguing blend of swamp blues, bar-room rock and eerie power”.<\/em><\/p>\n

‘Bring It On’ remains the album Gomez are best known for in the UK, but it was only the starting point for a spectacular career. The band built audiences internationally, especially in the US and Australia. In the States, in particular, Gomez have become bigger and bigger, with their two most recent albums, ‘A New Tide’ (2009) and ‘Whatever\u2019s on Your Mind’\u00a0(2011), becoming the highest-charting records of their career.<\/p>\n<\/div>\n

\n
\n

BRING IT ON \u2013 20th ANNIVERSARY 4-CD SUPER DELUXE EDITION<\/em><\/strong><\/p>\n

Super Deluxe box set containing: 35 previously unreleased tracks.\u00a0 Collection features 25 demos & 13 songs never released in any form by Gomez, including covers of Neil Young\u2019s ‘Unknown Legend’ and T-Bone Walker\u2019s ‘Mean Old World’ plus the band\u2019s 1998 Glastonbury performance and BBC sessions.<\/p>\n

Package includes a 10,000-word essay by music writer Paul Stokes, with new interviews with the band and those close to them.<\/p>\n

‘<\/em>BRING IT ON’ \u2013 20TH ANNIVERSARY 2xLP EDITION<\/strong><\/p>\n

Red & Yellow coloured vinyl edition + Standard black vinyl edition both in gatefold packaging.<\/p>\n

Tracklisting<\/strong><\/em>
\nCD1: Bring It On REMASTERED
\n1 Get Miles
\n2 Whippin’ Piccadilly
\n3 Make No Sound
\n4 78 Stone Wobble
\n5 Tijuana Lady
\n6 Here Comes the Breeze
\n7 Love Is Better Than a Warm Trombone
\n8 Get Myself Arrested
\n9 Free to Run
\n10 Bubble Gum Years
\n11 Rie’s Wagon
\n12 The Comeback<\/p>\n

CD2: B-sides REMASTERED
\n+ 1997 Southport demos<\/strong><\/p>\n

1 Who\u2019s Gonna Go the Bar
\n2 Steve McCroski
\n3 Wham Bam
\n4 Flavors
\n5 Old School Shirt
\n6 The Cowboy Song
\n7 Pussyfootin\u2019
\n8 Pick Up The Pieces
\n9 Whippin\u2019 Piccadilly (Turbo Version)
\n10 Flats 1 & 2
\n11 Collapse
\n12 Hit On The Head
\n13 Slot Machine
\n14 Sweetest Song
\n15 Buena Vista
\n16 78 Stone Wobble
\n17 Sun Rim Dips
\n18 Walking Wounded
\n19 Bluest Heaven
\n20 Getting Rained On<\/strong><\/p>\n

CD3: Demo tape to record labels
\n+ Sheffield demos<\/strong> +\u00a0other demos<\/p>\n

Record Company Demo Tape (August 1996 \u2013 August 1997)
\n1 78 Stone Wobble
\n2 Whippin\u2019 Piccadilly
\n3 Get Miles
\n4 Tijuana Lady
\n5 Rie\u2019s Wagon
\n6 Here Come The Breeze
\n7 Steve McCroski<\/p>\n

Other 4-track Recordings (January \u2013 August 1997)
\n08. Emma Freud
\n09. Touchin\u2019 Up
\n10. Bring It On<\/p>\n

Sheffield Tapes (December 1996)
\n11 Free To Run
\n12 Unknown Legend
\n13 Get Miles
\n14 Mean Old World\u200b<\/strong><\/p>\n

CD4: BBC radio sessions
\n+\u00a0Live at Glastonbury 1998<\/strong><\/p>\n

1 Brother Lead
\n2 78 Stone Shuffle
\n3 The Way You Do The Things You Do
\n4 Here Comes The Breeze
\n5 Stag O\u2019Lee
\n6 Whippin\u2019 Piccadilly
\n7 Get Miles
\n8 Get Myself Arrested
\n9 Love Is Better Than A Warm Trombone<\/strong>
\n10 R & B
\n11 Here Comes The Breeze
\n12 Tijuana Lady
\n13 Buena Vista
\n14 Make No Sound
\n15 78 Stone Wobble
\n16 Soul Kitchen
\n17 Whippin\u2019 Piccadilly<\/strong><\/p>\n

But ‘Bring It On’ remains the landmark: The introduction to their singular nature. Hence the deluxe reissue. Hence the forthcoming anniversary tour on which many of the shows \u2013 including an appearance at the Royal Albert Hall \u2013 sold out in moments. Twenty years later? Once again, bring it on.<\/p>\n

The band will be playing the album in its entirety on their forthcoming UK & Ireland tour (April\/May 2018) plus Australian and US dates.<\/p>\n

Tour dates Australia \/ UK + Ireland \/ USA<\/strong><\/p>\n

27\/03\/18\u00a0 Adelaide, Australia \u2013 Old Adelaide Gaol
\n29\/03\/18\u00a0 Byron Bay, Australia \u2013 Bluesfest
\n30\/03\/18\u00a0 Byron Bay, Australia \u2013 Bluesfest
\n31\/03\/18\u00a0 Newtown, Australia \u2013 Enmore Theatre
\n01\/04\/18\u00a0 Melbourne, Australia \u2013 170 Russell \u2013 SOLD OUT
\n02\/04\/18\u00a0 Melbourne, Australia \u2013 170 Russell
\n04\/04\/18\u00a0 Northbridge, Australia \u2013 Metro City
\n24\/04\/18\u00a0 Brighton, U.K. – Brighton Dome \u2013 SOLD OUT
\n25\/04\/18\u00a0 Nottingham, U.K. – Rock City \u2013 SOLD OUT
\n27\/04\/18\u00a0 Dublin, Ireland \u2013 Olympia \u2013 SOLD OUT
\n28\/04\/18\u00a0 Glasgow, U.K. \u00a0\u2013 Barrowland \u2013 SOLD OUT
\n29\/04\/18\u00a0 Leeds, U.K. \u2013 O2 Academy
\n01\/05\/18\u00a0 Manchester, U.K. – Albert Hall \u2013 SOLD OUT
\n02\/05\/18\u00a0 Bristol, U.K. \u2013 O2 Academy \u2013 SOLD OUT
\n03\/05\/18\u00a0 London, U.K. – Royal Albert Hall \u2013 SOLD OUT
\n05\/05\/18\u00a0 London, U.K. \u00a0\u2013 O2 Forum Kentish Town
\n06\/05\/18\u00a0 Cambridge, U.K. \u00a0\u2013 Corn Exchange
\n07\/05\/18\u00a0 Liverpool, U.K. \u2013 O2 Academy
\n08\/05\/18\u00a0 Glasgow, U.K. \u00a0\u2013 Barrowland
\n05\/06\/18\u00a0 Toronto, ONT, Canada \u2013 Danforth Music Hall
\n07\/06\/18\u00a0 Brooklyn, NY \u2013 Brooklyn Steel
\n08\/06\/18\u00a0 Boston, MA \u2013 Royale
\n09\/06\/18\u00a0 Washington, DC \u2013 Lincoln Theatre
\n10\/06\/18\u00a0 Asheville, NC \u2013 The Orange Peel
\n12\/06\/18\u00a0 Atlanta, GA \u2013 Variety Playhouse
\n13\/06\/18\u00a0 Nashville, TN \u2013 Cannery Ballroom
\n15\/06\/18\u00a0 Chicago, IL \u2013 Vic Theatre
\n16\/06\/18\u00a0 Chicago, IL \u2013 Vic Theatre<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u201cNo other record captures that period so perfectly,\u201d says Elbow\u2019s Guy Garvey. \u201cThe concerns of the songs. The stories, the experimental sounds. It was so […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":28442,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false},"categories":[23,25,28,30,39],"tags":[5460,7261,7262,1245],"class_list":["post-28441","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-indie","category-live","category-music","category-new-release","category-vinyl","tag-20th-anniversary","tag-bring-it-on","tag-gomez","tag-tour-dates"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/cultureaddicts.com\/wp-content\/uploads\/2018\/02\/2385-3031-003-HA-creditScarletPage-web1.jpg?fit=702%2C491&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p2B2TV-7oJ","jetpack-related-posts":[{"id":35059,"url":"https:\/\/cultureaddicts.com\/?p=35059","url_meta":{"origin":28441,"position":0},"title":"Placebo celebrate 20th anniversary of \u2018Black Market Music\u2019","author":"cultureaddicts","date":"October 14, 2020","format":false,"excerpt":"2020 is the 20th anniversary of Placebo\u2019s beloved third album \u2018Black Market Music\u2019. 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